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Elaborative checklist for camera settings
The table below shows the photo settings that can be applied in different situations
Subject | Speed | Aperture | ISO | focal length | Mode | AF | Filter | Metering | White balance | Remarks | |
---|---|---|---|---|---|---|---|---|---|---|---|
Storms | 30 seconds or more -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/8 to f/11 | 100 to 200 | wide angle 14 to 24mm | Mode M (Manual) | AF S | ND 4 or 8 if storm during the day | Matrix metering | Neutral or cold (Incandescent light) for the city | Don't turn up the ISO too much, lightning sends out a significant amount of light Using ND filters can blur some of the ramifications. In this case, it is preferable to close the diaphragm and reduce the exposure time | |
Landscape | 1/50 | f/8 to f/11 | 100 to 400 depending on the amount of sunlight | Wide angle 14 to 24mm | Mode A (aperture priority) - Aperture choice, the camera selects automatically the shutter speed (and ISO if auto) | AF S | ND 4 or 8 GND Hard if sea landscape GND Soft if mountain landscape Polarizing | Matrix metering if occupying the whole scene Spot metering if the subject occupies a small part of the image | Auto, cloudy, shadow, Day light | Comply with third-party rules. Either 1/3 of the sky if the landscape is to be highlighted, or 2/3 of the sky to show the details of the clouds | |
Day portrait | 1/100 with 50mm or 85mm, 1/200 with 135mm or 200mm | f/4 or less | 100 or 200 ISO | 50, 85, 135, 200mm | AF S | cloudy, shadow | |||||
Water, waterfalls | Between 1/3 and 2 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/11 to f/22 or f/36 | 100 to 200 | 14 to 150 mm | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF S | ND | Matrix metering | Auto, cloudy, shadow, Day light | ||
Moving child in a parc | 1/500 minimum. Adjust according to the amount of sunlight to obtain an aperture of f/4 or f/5.6. | f/4 to isolate the child from the background. f/5.6 with low light lens | 100 or 200 if sunny, greater than 400 with low light lens (f/5.6) or else cloudy | Longue focal length (70 to 500 mm) | AF C | Auto, cloudy, shadow, Day light | |||||
Moving object (car, plane, …) | Less than the focal length | f/4 to f/5 | 100 or 200 if sunny, greater than 400 with low light lens (f/5.6) or else cloudy | Longue focal length (150 to 500 mm) | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF C | Spot metering | Auto, cloudy, shadow, Day light | The exposure time must be less than the one that designates the focal length (example with a 200 mm, the exposure time must be less than 200, i.e. 1/125). Example of exposure: 1/125 with focal length to 190mm, ISO 100, f/5 | ||
Wildlife photo | 1/2000 if bird 1/500 if mammal | Less than f/6 if the subject must be isolated from the background greater than f/6 if the subject must be part of the scene | 100 or 200 if sunny, greater than 400 with low light lens (f/5.6) or else cloudy | Longue focal length (70 to 500 mm) | Mode A (aperture priority) - Aperture choice, the camera selects automatically the shutter speed (and ISO if auto) | AF C | Spot metering | Auto, cloudy, shadow, Day light | |||
Day sport | 1/500 minimum, 1/1000 if possible. | f/4 to isolate the athlete from the background. f/5.6 with low light lens. | 100 or 200 if sunny, greater than 400 with low light lens (f/5.6) or else cloudy | Longue focal length (150 to 500 mm) | AF C | Spot metering | Auto, cloudy, shadow, Day light | ||||
Northern lights | Between 10 and 30 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/2.8 or less | Between 800 and 3200 | Wide angle 14 to 24mm | Mode M (manual) Mode A (aperture priority) - Aperture choice, the camera selects automatically the shutter speed (and ISO if auto) Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF S | Day light | Close the diaphragm if the scene is part of the composition Start with a maximum aperture and adjust according to the depth of field | |||
Sunset | Between 1/25 and 2 minutes -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/11 to f/16 | 100 | Wide angle 14 to 24mm Longue focal length (150 to 500 | Mode M (manual) Mode A (aperture priority) - Aperture choice, the camera selects automatically the shutter speed (and ISO if auto) | AF S | ND 8 GND Hard if sea landscape GND Soft if mountain landscape | Matrix metering en mode M Spot metering en mode A | shadow or cloudy | Use the live view Comply with third-party rules. Either 1/3 of the sky if the landscape is to be highlighted, or 2/3 of the sky to show the details of the clouds | |
Night sky (without star trails) | Less than 30 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/2.8 | 2500 | Wide angle 14 to 24mm | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF S | Auto | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | |||
Night sky (with star trails) | Minimum 60 seconds (ideally greater than 400 seconds). Using Bulb Mode -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/5.6 to f/2,8 | 100 | Wide angle 14 to 24mm | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF S or Disconnected (focus to infinity) | Auto | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | |||
Night photo (city movement) | Between 3 and 7 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/7.1 maximum (by default f/6.3) | Between 100 and 200 | Longue focal length (70 to 500 mm) | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF C or Disconnected (focus to infinity) | Auto or Tungsten if neon of street lights | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | |||
Night photo (car's lights) | Less than 5 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/10 | Between 100 and 200 | Longue focal length (70 to 500 mm) | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF S | Auto | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | |||
Night photo (city) with neon and street lamps | Less than 5 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/5.6 to f/2,8 | 100 | Wide angle 14 to 24mm | Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | AF S | Matrix metering | Tungsten | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | ||
Full moon | Less than 30 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated Ideally between 1/125 (for ISO 100) and 1/250 | f/8 to f/11 If the moon needs to be brighter, open to f/5.6 | Between 100 and 400 | Longue focal length (150 to 500 mm) | Mode A (aperture priority) - Aperture choice, the camera selects automatically the shutter speed (and ISO if auto) | AF S or Disconnected (focus to infinity) | Spot metering | Auto Warm the moon with shadow or cloudy modes In the city and if the sky is yellowish, cool the colour temperature to tend towards a midnight blue | Measure with part of the moon and sky to avoid underexposure | ||
Milky way | Between 20 and 30 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated To calculate the maximum for the shutter speed, use the following formula for a full frame (24x36) : 500 / focal length used for a APS-C, use a 1,5x multiplier with the formula : 500/ (1.5 x focal length used) | f/2.8 | Between 800 and 3200 (by default 1600) | Wide angle 14 to 24mm | Mode M (manual) Mode A (aperture priority) - Aperture choice, the camera selects automatically the shutter speed (and ISO if auto) Mode S (shutter speed priority) - Speed choice, the camera selects automatically the aperture (and ISO if auto) | Disconnected | Auto | There are two ways to focus: - Disengage the AF, fix the brightest star and focus - Focus to infinity In mode A, start with a large aperture to limit exposure time. In S mode, start with a fairly slow speed without exceeding the speed defined by the formula | |||
Night landscape | Between 2 and 30 seconds -use tripod, -Mirror up (MUP selector), -stabilizer deactivated | f/8 or more | Between 100 and 200 | Wide angle 14 to 24mm | AF S or Disconnected (focus to infinity) | Auto | Comply with third-party rules. Either 1/3 of the sky if the landscape is to be highlighted, or 2/3 of the sky to show the details of the clouds Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | ||||
Night portrait | 1/100 with 50mm or 85mm, 1/200 with 135mm or 200mm | f/2.8 or less | Between 1600 and 6400 depending on the brightness of the room | 50, 85, 135, 200mm | AF S or Disconnected (focus to infinity) | Spot metering | Auto | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) | |||
Night sport | minimum 1/500, 1/1000 if possible. | f/2.8 | Between 1600 and 6400 depending on the venue or stadium | Longue focal length (150 to 500 mm) | AF C or Disconnected (focus to infinity) | Spot metering | Auto | Prefer twilight or blue light (between the moment the sun goes down and night begins to fall - duration between 20 and 30 minutes) |